Noble Existence a solo exhibition of 32 life-size oil-on-canvas
paintings on the life and times of Sol T Plaatje by local artist Giorgie Bhunu
opens at Stadt 1 Methodist Church on 9 October 2014. Plaatje was undoubtedly the most
acclaimed African of his time as writer, journalist and fervent campaigner
against the ills of colonialism.
He was influenced in his political career amongst
others, which saw him later being elected first Secretary General of what came
to be eventually known as the African National Congress and delegated twice to
petition the British government in England on the disastrous consequences of
the 1913 Land Act, by his experiences as interpreter in interactions between
colonial authorities and Batswana Kingdoms and chronicler of the effects of the
Anglo-Boer War on Africans especially during the Mafeking Siege years. Plaatje
lived in Mahikeng, misspelled Mafeking by colonial authorities, between 1898
and 1910, years that saw the whole country evolve into a Union and the
foundation of the Apartheid years firmly laid. His first articles as a
journalist were published in the Mafeking Mail and he went on to become editor
in one of the first black newspapers, Koranta ea Becuana owned by Silas Molema.
He also wrote his first book Mafeking Diary at that time. Sol Plaatje went on
to write more books, tour the world and meet some of the most influential
leaders in black history including Marcus Garvey and W E B Dubois.
Noble Existence is a memorialisation of the story of Sol T Plaatje
in images, celebrating the concept of leadership exemplified by his life,
captured in Modiri Molema’s definition of him – morata wabo, lover of his people. The images are largely taken from
old photographs, a process which at times called for creative interpretation
and improvisation on the part of the artists.
Stadt 1 Methodist Church was opened by Kgosi Montshiwa in 1885 and
located in the original capital of Barolong boorra Tshidi is in Bhunu’s view
the perfect setting for reincarnating the spirit of the time.
Sol Plaatje stayed
for some time in the house of the Molema’s known as Maratiwa, but finally moved
to live with his family at Seweding.
Bhunu believes in community-centred art that sees his work as part of the
history of Barolong, dictating it be located and contextualized within their
midst. He is a graduate of the former University of Bophuthatswana where he
specialized in visual art influenced by the works of the pioneers of black art
like George Pemba and Gerald Sekoto. The
exhibition, the first of its kind, is part of a greater three-themed project
involving Walls that Teach – a series of murals – and Veneration of Images,
a celebration in sculptures of the history of local Magosi. Bhunu is advocating for the adoption of Stadt as a Cultural
Precinct envisioned as
a special creative economic zone.
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